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Despite having worked with India’s most promising filmmakers - Anurag Kashyap, Imtiaz Ali and others, his films flopped. Ranbir has faced a difficult phase of his career prior to this film. I really want Sanju Sir to like my work in the film,” Ranbir said at a press meet. Now, I have the daunting task of playing him and representing him (onscreen). I had his poster up on my cupboard as a kid. I didn’t know if I had it in me to do this role, if I could become Sanjay Dutt….I am a big fan. “When I first heard the script, I was blown by it.
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Kapoor, an established star, auditioned for a portion as a test of whether he would look as Sanjay Dutt. Both admitted that while writing this film, the biggest challenge was of omitting facts what would one keep and what would one leave out in an eventful, dramatic life of a prominent celebrity.Ĭasting Ranbir Kapoor was a natural choice for both the filmmaker and writer, but they didn’t do it without thought. Abhijat and he went on to read old magazines, news reports to get their facts right, and set about writing the story. Hirani’s research material for the film began with the first hand conversations with Dutt. He has experienced so much and gone through so much.” Having spoken to him for all these days, I realised that my life is just a dwarf compared to his. For 25 days, Abhijat and I would go and just listen to him. That is when I called up Abhijat to join me for these conversations. “On the second day, he spoke to me at length again, about a similar episode of his life. We spent a day talking about how one spends time inside a jail, how does one go through a day, “Hirani said. “When he first began speaking, Sanju (Sanjay Dutt) really opened up to me. Given his method towards writing a film, his approach towards making Sanju, an idea that Dutt himself proposed to the filmmaker has been a research oriented.
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They confess to taking walks around their homes for an entire day to crack just one scene at times. All the four films are entertaining and hugely popular.Īlways having co-written his films with Abhijat Joshi, an academician turned writer, Hirani spends ample amounts of time researching, reading, exploring and debating over their scripts. Perhaps his most resonant message is the one from Three Idiots, about the overwhelming obsession with engineering degrees and high scores in India today. His Munna Bhai series, dependent on the suspension of disbelief, made important points about India’s medical practices and the real estate mafia in our cities. Hirani has successfully upturned this perception. Such films tend to be non-entertaining, or at least, not very popular. Often, his films tend to have a social message. Rajkumar Hirani, as a filmmaker has delivered record-breaking blockbusters that tell a good story. In fact, Ranbir’s look for the film varies, in sync with the various phases of Dutt’s life, giving the film the feel of authenticity. For instance, unlike Mary Kom, a bonafide hit where Priyanka Chopra gave her best but didn’t look one bit like the boxer from Manipur, in Hirani’s Sanju, Ranbir Kapoor resembles the controversial movie star, Sanjay Dutt. Within this framework, Rajkumar Hirani’s Sanju has raised hopes of breaking Hindi cinema’s mediocre run with the biopic genre. A narrow view of the Mahatma’s life onscreen is a strong example that when it comes to biopics, Hindi cinema has failed to strike the right note.Ī big factor in biopics falling short of expectations is the lack of research and insight that goes in to creating an era, a specific period in history or in a person’s life. Their performances might be convincing but the milieu, setting and narratives of the films (Hey Ram, Sardar, Gandhi My Father) have not done justice to the universal connection which the real Mahatma Gandhi had left amongst the people across the world. Seasoned veterans like Naseeruddin Shah, Annu Kapoor and Darshan Jariwala have attempted to explore different facets of Gandhi’s persona in different films and yet have fallen short.
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More than thirty years since, Indians still relate to Ben Kingsley as Mahatma when the film plays on TV on Independence Day. The biggest testimony to this fact is Gandhi, Richard Attenborough’s 1981classic.
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Despite being part of world’s biggest film industry, Indian films have found maintaining authenticity a challenge. Biopics are not a point of strength for Hindi cinema.